London 0 Hull 4 came out in June 1986, and it's the debut album from The Housemartins - a Hull band who wore their working-class, socialist roots proudly, right down to the football-scoreline title poking fun at the idea that anyone from London could out-band them. It arrived off the back of a run of singles that had already started building momentum, and it turned out to be a proper commercial breakthrough, going top ten and giving the band their signature hits.

Musically it's jangly, upbeat indie pop with a real gospel and skiffle undertow, all chiming guitars, tight harmonies and a lightness of touch that makes the whole thing feel effortless. What sets it apart is the tension between that sunny, singalong sound and Paul Heaton's lyrics, which dig into class resentment, religion and politics with real bite and a dry, very British wit. It's basically the sound of righteous anger dressed up as a pop song, and it works brilliantly precisely because it never feels preachy or heavy-handed.

Happy Hour is the obvious standout, all breezy energy and one of the most instantly memorable choruses of the era. Sheep carries real sting under its jaunty surface, while Think for a minute shows just how sharp Heaton's songwriting could be even this early on. Flag Day is a lovely, more expansive opener too, giving the record a proper sense of scale from the off. It's a short, punchy listen that never outstays its welcome, and that combination of tunefulness and genuine substance is exactly why it still feels like one of the great British indie pop debuts.