If you enjoyed the early Human League stuff, you have to play Penthouse and Pavement by Heaven 17. Released in 1981, it’s a huge moment in synth-pop history because it’s actually the project Martyn Ware and Ian Craig Marsh started right after they left the original Human League. It captures that perfect transition from the cold, industrial vibes of the late 70s into the colorful, funky pop that defined the early 80s.

The sound is such a cool, unique blend. One half of the record is very electronic and rhythmic, while the other brings in these bright, slap-bass funk elements that give it a real groove. It feels like a high-energy conversation between a computer and a soul band. It’s slick, sophisticated, and a little bit cheeky – taking the synth-pop blueprint and giving it a massive shot of adrenaline and disco influence.

The title track “Penthouse and Pavement” is an absolute must-listen for that driving energy, and “(We Don’t Need This) Fascist Groove Thang” is just a masterpiece of fast-paced, politically charged dance music.

What makes it so worth revisiting today is how vibrant it feels. It’s one of those albums that manages to be incredibly smart and layered without ever losing its sense of fun. It has so much more soul than people usually expect from early electronic records. If you’re looking for something that’s as good for a deep headphone listen as it is for a party, this is the one to reach for.